..a photography which is able to relate a tin of canned food to the universe, yet cannot grasp a single one of the human connections in which that tin exists; a photography which even in its most dreamlike compositions is more concerned with eventual saleability than with understanding… the true facts of this photographic creativity is the advertisement...

"A Short History of Photography" [cited in: “Photography/Politics: One”, Photography Workshop, London 1979, p. 57]

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