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Photography is the only language that can be understood anywhere in the world.
The things you don’t show can say more than the things that are made visible.
There's nothing more extraordinary than reality.
Most people if I like their music, I can get good pictures.
When I’m photographing, I see life. That’s what I deal with. I don’t have pictures in my head.
The best thing about a picture is that it never changes, even when the people in it do.
Portraits You can never take a portrait surreptitiously. The person in the picture must be willing to come over, to give themselves to the picture. It's a bond. And if you can't establish that bond, don't bother clicking the shutter. You won't get a photo without that bond. Sometimes I can take a photo in a moment, and sometimes not at all. The subject is somehow on their guard. Don't ask me to explain what it is. Either it is or it isn't.
Raw materials I always developed my pictures myself. I go and take a photo down on Austurstrati, but the image comes into existence in the darkroom: the develop-ing, the exposure, what grade of paper one uses - soft, standard, or hard. The film was just the raw material. Then the diamond has to be polished. It's something you develop over the years - an instinct that arises from experience and strict self-discipline.
Eternity in a moment In photography one perceives, somehow, the progress of time. Time that rushes past at fearful speed and is gone. There is a desire to slow it down a little and see "the way it was." But not to snatch at it. Not a moment, but an eternity. And then it comes to be worth something, although that was never the intention.
THE PASSING OF THE REVISIONS TO THE COPYRIGHT ACT IN THE USA, HAD DISASTROUS CONSEQUENCES FOR BILL STETTNER AND HIS CO-CAMPAIGNERS.
A well-known personality in the field of photography, André Kertész was known for his unique sense of style of the portrayal of the objects of our everyday life.