Every part of the photographic image carries some information that contributes to its total statement; the viewer’s responsibility is to see, in the most literal way, everything that is there and respond to it. To put it another way, the statement the image makes – not just what it show you, but the mood, moral evaluation and casual connections it suggest – is built up from those details. A proper ‘reading’ of a photograph sees and responds to them consciously.

Afterimage, May-June 1975 [cited in: Creative Camera October 1975, p. 329]

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