No one is anony­mous in a fam­ily album: as long as the photo’s con­tem­po­raries live, they can name who is there, as well as where and when they were pho­tographed; the image sev­ers lan­guages, while the oral­ity of fic­tions and real­i­ties projects its cap­tion onto the image, when that is not already jot­ted down on its reverse side, an ellip­ti­cal and frag­men­tary nar­ra­tive, a polyphony of voices.