On semiologists and post-modern photo-deconstructors: Academic imperialists are marginalising the practice of making photographs instead of celebrating its power and magic. It appears to me, as an exhibiting photographer and as a teacher, that I am again in a world where the word is king with photographs as mere courtiers. I believe this trend to be regressive because it undermines photography and most of those who practice it.

Newsletter of the Contemporary Group of The Royal Photographic Society, Summer 1993

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