The effect of the copy [negative] though of course unlike the original (substituting as it does lights for shadows and vice versa) yet is often singularly pleasing and would I think often suggest to artists useful ideas respecting light and shade.

1939 [cited in: "From today painting is dead – The Beginnings of Photography" (catalogue of exhibition in The Victoria & Albert Museum 16 March – 14 May 1972 p. 30)]

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