The inertness that greets us in camera fodder from police superintendent Alphonse Bertillon's mug shots or Désiré Charnay's ethnographic forays in Madagascar survives to this day in passport Photos and security cards. They are little icons within a monitor system, unrelated to the idea that a human may possess anything as intrusive and irrelevant as a soul.

From the book: Face: The New Photographic Portrait by William A. Ewing

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