The photographic industry was the refuge of all the painters who couldn’t make it, either because they had no talent or because they were too lazy to finish their studies. Hence this universal infatuation was not only characterized by blindness and stupidity, but also by vindictiveness.

1859, [cited in: “Camera Austria” 14/84, Annie Le Brun “The Feeling of Nature at the Close of the Twentieth Century”, p. 20]

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