The uninvolved photojournalist’s pictures will at the very best serve to prop up the copy, at worst ruin it; the involved photographer’s work however will speak entirely for itself and will in no way profit by copy, though copy neatly added will not spoil such a picture; simply, it will not be read.

“A point of view: fact of feeling?” [cited in: Creative Camera March 1968, p. 99]

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