Why should not the camera also throw off the shackles of conventional representation...? Why not repeated successive exposures of an object in motion on the same plate? Why should not perspective be studied from angles hitherto neglected or unobserved?... Think of the joy of doing something which it would be impossible to classify, or to tell which was the top and which was the bottom!

Photograms of the year 1916, p. 23.

0

Comments

0

Share