When I started out, art was doing down the drain. The people who used to magazine illustrations and the covers were being replaced by photographers. And when they started using photographers, I started to show my work with galleries. Everybody also was doing window decoration. That led into more galleries. I had some paintings in a window, then in a gallery.
During this period [1960s] I took thousands of Polaroids of genitals. Whenever somebody came up to the Factory, no matter how straight-looking he was, I’d ask him to take his pants off so I could photograph his cock and balls... Personally, I loved porno and I bought lots of it all the time—the really dirty, exciting stuff. All you had to do was figure out what turned you on, and then just buy the dirty magazines and movie prints that are right for you, the way you’d go for the right pills or right cans of food.
As for the paintings, the images I’ve used have all been seen before via the media. I guess they’re media images. Always from reportage photographs or from old books, or from four for a quarter photo machines. No, I don’t change the media, nor do I distinguish between my art and the media. I just repeat the media by utilizing the media for my work. I believe media is art.