So now almost everyone owns a camera. Yet, of all the commonplace tools available to us, the SLR camera is propably the least understood and certainly the most under-exploited. All too frequently the average amateur will purchase a fine modern camera and proceed to use it for making the most elementary simple snapshots. This surely is like playing 'Chopsticks' on a concert grand piano.
I think of myself as a designer who uses the photographic medium and I consider the female nude figure to be a design element, capable of endless permutations. It is obviously an element loaded with emotional associations. Those who claim that images of the nude can be completely devoid of any sexual connotations are just being dishonest.
I find it difficult to do creative photography with a really beautiful girl. Slight face and figure faults make me work just that little harder and keep me on my toes. … The more unskilled a model is and the more face and figure faults she has – the harder you have to work and the better the pictures seem to be.
The most significant trends on the creative side of photography seem to be the idea of making a statement with a collection of pictures rather than a single print. This has tremendous potential in the field of photo reportage. If only some of those journalists would take a pause from chasing wars long enough to edit and design their own collections. The system of handing negatives and prints to picture editors or art directors is a very weak one – something like a musician handing a collection of musical phrases to someone else and asking him to compose a symphony with it.