It is impossible to contemplate the Salon walls without condoling with Mr. Steichen on the conflict between art and popular prudery. The camera can represent flesh so superbly that, if I dared, I would never photograph a figure without asking that figure to take it clothes off. I delight in mankind as nature makes it, and take such a moderate interest in mere garments that my tailor...has..had to change his name to avoid the public discredit of my callous abuse of his masterpieces....