There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.
In the 1930’s – 40’s commercial photographers were considered the artists of their times. The scene shifted in the 1950’s – 60’s and the photojournalists who worked for Life and Look magazines were the most celebrated photographic artists. Today photojournalists are no longer in demand to tell us about the world, because TV does it with the evening news. Mass media magazines now use photographers to illustrate stories on movie stars, sports and newsmakers and are no longer the creative galleries for commercial and editorial photography.
Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way.