If a more or less random snapshot is like an infinitely fine scale that has been scratched from the surface of reality with the tip of a finger, then in comparision the photoseries or photomontage lets us experience the extended massiveness of reality, its authentic meaning. We build systematically. We must also photograph systematically. Sequence and long-term photographic observation--that is the method.
A photographer is a witness. He has a moral duty. Every picture must be true and honest. I believe a photographer’s strength is his ability to accurately record reality. There are photographers who think they are lucky if they find unusual or special subject. But it is never the subject that is so marvelous. It is how alive and real the photographer can make it.
I am not interested in showing my work to photographers any more, but to people outside the photo-clique. My pictures are not escapes from reality, but a contemplation of reality, so that I can experience life in a deeper way.
I capture reality, never pose it. But once captured, is it still reality? I've always tried to play with the false impression of reality, with the ambiguity of appearances. Things are what they seem to be, or maybe something else. I use people as unconscous actors in little dramas they don't know they're in. These pictures are about Earthlings, but I'll let you in on a secret: I'm an Earthling myself.